call for papers

CFP: “Slow Violence and Urban Ecology” (Northeast MLA, April 2018, Pittsburgh), Submission Deadline 9/30/17

Photograph: “Le Plan d’Eau à Metz,” Kristina BEDIJS, Creative Commons Attribution-Share Alike 2.5 Generic license, https://commons.wikimedia.org/wiki/File:Plan_d%27Eau_2.jpg

This session is inspired by the work of Rob Nixon, the Currie C. and Thomas A. Barron Family Professor in the Humanities and the Environment and author of Slow Violence and the Environmentalism of the Poor (2013), who will deliver the keynote address, “Environmental Martyrdom and the Defenders of the Forest,” at the April 2018 convention of the Northeast Modern Language Association. Therefore, this session is an excellent opportunity for scholars in ecocriticism to share their research with NeMLA’s audience, as well as to attend Professor Nixon’s address. A preliminary summary of Professor Nixon’s address topic is available here.

Please forward the full call for papers below to potentially interested contributors. 300-word abstracts are due online September 30, 2017, at https://www.cfplist.com/nemla/Home/S/16996. If you have any questions, please email me at derek.s.mcgrath@gmail.com or message me on Twitter.

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CFP: “New Approaches in Zombie Studies” (Northeast MLA, April 2018, Pittsburgh), submission deadline 9/30/17

I had proposed this session in April because, with the Northeast Modern Language Association meeting in Pittsburgh, where George Romero filmed Night of the Living Dead, it seemed appropriate to consider how his work and those of other artists have altered what we know about zombies in art and popular culture. Sadly, since this session was approved, Romero passed away. I hope this session, in some small way, can honor his accomplishments and critically assess his work in the context of other texts centered on the living dead.

While this session welcomes proposals that look at Romero’s zombies or the fascination with zombies in Pittsburgh, it is opened to all recent critical approaches to zombie narrative, from Haitian folklore to iZombie and The Walking Dead–and all in-between.

Please forward the full call for papers below to potentially interested contributors. 300-word abstracts are due online September 30, 2017, at https://www.cfplist.com/nemla/Home/S/16935. If you have any questions, please email me at derek.s.mcgrath@gmail.com or message me on Twitter.

Artwork credits: George Romero (Day of the Dead; credit: Rex), Solomon Grundy (Faces of Evil: Solomon Grundy #1 March 2009 by Shane Davis), iZombie (CW / Warner Bros / Vertigo), Space Dandy (BONES / Bandai Namco)

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CFP: “Hollywood F. Scott Fitzgerald” and “New Approaches to Teaching Fitzgerald” (Northeast MLA, April 2018, Pittsburgh), submission deadline 9/30/17

The Last Tycoon is out on Amazon–so why not submit an abstract about it?

While F. Scott Fitzgerald’s short stories and The Great Gatsby continue to dominate scholarship and teaching, these conference calls for papers look at a wider scope of his literary output, including the stories and scripts he developed while in Hollywood.

The CFP “New Approaches to Teaching Fitzgerald” welcomes a wide range of proposals. And the scope of “Hollywood F. Scott Fitzgerald” is broad enough to focus on multiple ways in which Fitzgerald and California intersect: film adaptations, the place of Hollywood as a setting in his fiction like The Last Tycoon, and his last years living in the state.

300-word abstracts for “New Approaches to Teaching Fitzgerald” and “Hollywood F. Scott Fitzgerald” are due September 30th at those links. Please consider sharing the full CFPs below–and also consider submitting to NeMLA’s special event featuring F. Scott Fitzgerald biofiction novelist Stewart O’Nan!

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My upcoming cons: Presenting at and reporting from #AX2017–teaching, melancholia, nostalgia, and more!

Anime Expo will take place June 30 to July 4 at the Los Angeles Convention Center. I’m happy to return to AX as a presenter once again–and now also as both a special guest contributor and an on-site reporter for the new site JAMS Anime. Anime Expo is the perfect opportunity for me to continue my work in scholarship, news, and analysis at a location that brings together different elements of the anime community–journalists, industry leaders, scholars, and fans all around–for discussion about Japanese popular culture, in the United States and elsewhere.

My schedule includes:

  • July 1, 8 PM Pacific: Presenting ” ‘Ha Ha! Boring’: Nostalgia and Melancholia in Servamp and Anime Fan Communities,” Live Programming 4 (LP4 / Room 411)
  • July 4, 2:30 PM Pacific: Participating in the special guest panel, “Teaching Happiness: Using Anime and Manga as Educational Tools,” Live Programming 4 (LP4 / Room 411)
  • Reporting all updates and announcements about upcoming anime and manga on Twitter @JAMS_ Anime.

More information is below about these presentations, JAMS, and a conference panel CFP for scholars interested in talking about how they teach anime and manga.

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Deadline Friday: Poe and Comics at NeMLA 2017!

Friday, September 30, 2016, is the deadline to submit to the more than 400 calls for papers at the 48th annual meeting of the Northeast Modern Language Association, in Baltimore, Maryland.

My colleagues and I are organizing exciting panels in studies of literature and popular culture, including two sessions I’m putting together on Edgar Allan Poe and representations of disabilities in comics.

And additional sessions below may be of interest in light of recent developments in comics and the superhero genre–Luke Cage premieres tomorrow as well, so why not watch the show, and use that to draft an abstract to a relevant session below?

These are just a few of the exciting sessions (with links for submitting 300-word abstracts) that can lead to dynamic discussions–so please consider submitting abstracts or forwarding these calls of papers to interested peers.

CFP: “Marvel vs. DC: Civil War?” (NeMLA Baltimore 2017; deadline Sep 30 2016)

Last year at the Northeast Modern Language Association (NeMLA), my colleague Mary Ellen Iatropoulos and I were happy to host Lisa Perdigao on our academic roundtable about the Marvel Cinematic Universe. This year, for NeMLA’s 2017 convention in Baltimore, Lisa is organizing a panel on rivalries, not just within Marvel Comics but as it pertains to its long-lasting competition with fellow comic book publisher DC Comics.

DC and Marvel have collaborated in the past for crossovers and amalgamations of their fictional universes, revealing the parallels between them, such as Batman and Daredevil (or Iron Man), Green Arrow and Hawkeye, Atom and Ant Man, Superman and Captain America (or Thor)–or just so we could see a fistfight between the Justice League and the Avengers, or watch Superman wield Captain America’s shield and Mjolnir.

This competition has moved off of the comic book pages and onto the silver screen. Whereas Marvel has embraced a fun, eclectic blending of various genres in its numerous film adaptations from Disney and other film studios, DC has remained fixed largely at Warner Bros and has persisted with a grim portrayal of superheroes that has appealed to some fans and irritated many others. It’s even inspired popular web parodies. This shift from comics to film production even resulted in a new bicoastal rivalry: DC Comics has moved to Hollywood, while Marvel Comics stays in New York City.

This CFP also has the potential for presentations not necessarily as to the rivalry between DC and Marvel, but a comparison of how the two comic book companies portray rivalries. How does the rivalry between Superman and Batman differ from that between Captain America and Iron Man? How are metahumans portrayed differently from mutants and inhumans? What is it about superhero stories that perpetuate the idea of rivalries rather than collaboration?

And that’s not even touching upon all of the other works that DC and Marvel have created but which are outside of the superhero genre, such as literary adaptations, The SandmanPreacher, and Lucifer.

Obviously, there are a wealth of topics for consideration to this CFP, and I strongly encourage interested scholars to submit to Lisa’s session, or to forward this CFP to interested colleagues.

The full CFP is below.


Marvel vs. DC: Civil War?

Northeast Modern Language Association
Baltimore, March 23-26, 2017
Chair: Lisa Perdigao (Florida Institute of Technology)
Deadline: September 30, 2016

Submit 300-word abstracts and short bios online at https://www.cfplist.com/nemla/Home/S/16494 

Released in spring 2016, Captain America: Civil War and Batman v Superman: Dawn of Justice converge on the narrative of a house divided. Marvel’s and DC’s staging of the wars between their respective superheroes is suggestive of a larger battle between the two franchises that dates back to the comics. These two films represent turning points for the companies, as they threaten to disassemble the Avengers and the Justice League as soon as—and even before—they are created. Adapted from the comics, the films’ narratives highlight central tensions within the individual universes as well as the ongoing rivalry between the two companies.

This panel will explore how the concept of civil war plays out within and between the Marvel Cinematic Universe (MCU) and DC Entertainment films and television series. Papers are sought that examine individual Marvel and DC works (comics, films, and television series), the expansive Marvel and DC universes, and the relationship between the two rival companies. Possible topics include the difficulties of assembling a superteam in the twenty-first century, the race to utilize new mediums in the digital age, and the conflicting ideologies represented by Marvel and DC.

 

CFP: “Masks, Mutations, and Metamorphoses: Transformation Sequences in Comics” (NeMLA 2017 Baltimore, Deadline 9/30)

I wrote earlier about the many session proposals on comics, graphic narratives, animation, and related topics that the Northeast Modern Language Association includes for its upcoming March 2017 convention in Baltimore. With this year’s convention focused in large part on language, culture, and international studies, one particular comics session is especially relevant. Comics frequently focus on transformations–mutations, maturation, name alterations–as allegories for feeling one’s identity changed by movement or displacement.

My colleague at Keene State College, Rafael Ponce-Cordero, is organizing the session “Masks, Mutations, and Metamorphoses: Transformation Sequences in Comics,” which considers both formal and content-based transformations. This session therefore looks at how comics represent or use transformations, whether as how characters conceive of changes to their identities in terms of race, nationality, as well as gender and sexuality, or how transformations of the comics medium have altered ways we communicate about these and other topics.

Potential topics may include adaptations from comics to animation and other media, innovations in the comics medium, or transformations of characters, whether physical mutations, Sailor Moon-esque transformation sequences, or changes to characters’ personalities over their publication history.

The CFP is below. Please consider submitting a 300-word abstract and a brief biographical statement to NeMLA’s CFP List web site at this link: https://www.cfplist.com/nemla/Home/S/16467. Please forward this call for papers to interested scholars.

The deadline is September 30, 2016. If you have any questions, please email Rafael Ponce-Cordero (rponcecordero@keene.edu).


Masks, Mutations, and Metamorphoses: Transformation Sequences in Comics

https://www.cfplist.com/nemla/Home/S/16467
Chair:
Rafael Ponce-Cordero (Keene State College)

Description: The transformation sequence is standard to comics: Clark Kent rushes out of the phone booth and is now Superman, Usagi Tsukino spins and lights up to transform into Sailor Moon, Kamala Khan experiences terrigenesis to become Ms. Marvel, and Bruce Banner hulks out into a giant green rage monster. This session welcomes submissions that look at transformations not only of characters but of the graphic narrative form, and how those alterations affect other narrative practices in the novel, film, and television.

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CFP: “Transmedia Storytelling: Questioning Canon in 21st-Century Popular Culture Narratives” (NeMLA 2017, Baltimore, Deadline 9/30/2016)

My colleague Mary Ellen Iatropoulos (co-editor of the recent volume Joss Whedon and Race) is organizing a session at the March 2017 meeting of the Northeast Modern Language Association in Baltimore, Maryland, focusing on questions of what is canon in comics, film, and television.

“Transmedia Storytelling: Questioning Canon in 21st-Century Popular Culture Narratives” considers how shifts between comics, film, and television affect authorship and interpretation of stories, around what is considered canon among readers and fans.

Examples abound in recent adaptations of comics for television and film, as well as continuations of films and television in comic book format. There is the continuation of Buffy the Vampire Slayer and the debates as to whether these texts are considered official continuations of the story began on television, as well as continuations of Whedon’s Firefly/Serenity and Dollhouse, and comics-only prequels to Mad Max: Fury Road and the J. J. Abrams Star Trek films.

Related topics may consider how recent adaptations of United States comics for film and television alter what is considered canon in the original comics, as with DC and Marvel’s numerous adaptations, including SupergirlPreacher, Suicide Squad, and Jessica Jones. 

As well, in Japanese comics, there are considerable debates among fans–and academics–regarding the canonical status of anime that diverge sharply from their source material, before new adaptations emerged that were more faithful to the original text. Such was the case of the manga Fullmetal Alchemist, whose initial anime adaptation in 2003 diverging so much from the manga that a later adaptation, Brotherhood, was produced and considered by some to be more accurate.

Submissions may also consider the place of films that are based on entirely new content with limited involvement by the original mangaka, such as One Piece, or cinematic continuations that alter the original story substantially, such as the transition of Madoka Magica from television to film.

Abstracts and short bios are due September 30, 2016, at this direct link to NeMLA’s CFP List web site: https://www.cfplist.com/nemla/Home/S/16416

Please consider forwarding the following CFP to any colleagues who may be interested in this session. For more information, please email maryiatrop@gmail.com.

“Transmedia Storytelling: Questioning Canon in 21st-century Popular Culture Narratives”
Northeast Modern Language Association, Baltimore, Maryland, March 23-26, 2017
Deadline: September 30, 2016
https://www.cfplist.com/nemla/Home/S/16416
More information: Mary Ellen Iatropoulos, maryiatrop@gmail.com

Description: How does transmedia storytelling inform and influence contemporary understandings of the relationships between medium, auteur, canon, and fandom? When both fans and creators are “creating” meaning out of transmedia texts, what counts as canon – as the “real” character or story? By what criteria and to what critical end is such a judgment made, and to whom do we grant the right to make such judgments? This panel session seeks proposals that explore the often-vexed but equally-often fruitful relationships between readers, writers, auteurs and fans in the world of 21st-century popular culture narratives.

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CFP: Superhero Narratives and (Dis)Ability (NeMLA 2017, Baltimore, Deadline 9/30/2016)

Mary Ellen Iatropoulos (co-editor of the forthcoming volume Joss Whedon and Race from McFarland) and I are co-organizing a roundtable for the March 2017 Baltimore meeting of the Northeast Modern Language Association, focusing on representations of disabilities in superhero narratives.

This roundtable seeks presentations exploring how the superhero’s superpowered engagement of ableist society reveal or illustrate complications of negotiating the construction of (dis)ability. Recent works in comics, television, and film, such as DaredevilBatgirlMy Hero Academia, and Yuki Yuna Is a Hero, may be relevant to this roundtable’s discussion.

Please consider submitting a 300-word abstract and a brief biographical statement to NeMLA’s CFP List web site before the September 30th deadline. And please forward this call for papers to interested scholars.

The full CFP is below. Please email me at derek.s.mcgrath@gmail.com if you have any questions.



Superhero Narratives and (Dis)Ability

https://www.cfplist.com/nemla/Home/S/16454

Chairs: Derek McGrath (Independent Scholar), Mary Ellen Iatropoulos (Independent Scholar)

Popular culture narratives present ever-increasing images of persons with disability, whether through superheroes themselves or via supporting cast members. Apart from literal impairment, superheroes and superpowers can also be read as allegories for disability and Othered bodies and minds. How can superpowers be read as disabilities, or disabilities as superpowers? How does the superhero’s superpowered engagement of ableist society reveal or illustrate complications of negotiating the construction of (dis)ability?

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CFP: “Maps in Popular Fiction” (NeMLA 2017, submission deadline 9/30)

My colleague Emily Lauer is organizing a session for the 2017 meeting of the Northeast Modern Language Association, March 23 to 26, in Baltimore, Maryland.

(Based on the CFP’s mention about maps in comics and manga, maybe cartography in Jeff Smith’s Bone or, as shown above, maps in Oda’s One Piece could yield potential topics for submissions. And I have some advice for people working on abstracts for this and other sessions.)

Please submit abstracts by September 30 to NeMLA CFP List web site here: https://www.cfplist.com/nemla/Home/S/16098. Please share the CFP below with anyone who may be interested in submitting.


Maps in Popular Fiction

Maps bound in at the beginning of books can shape the reading of the book in a variety of ways. This panel will consider the questions of genre raised (and perhaps answered) by prefacing fiction with maps, and also the various issues of intertextuality indicated by the presence of the map. This panel welcomes papers that examine the importance of printed maps in popular fiction of a variety of genres and forms including mysteries, fantasies, and superhero stories in comics, novels, manga series, and more.