Last year at the Northeast Modern Language Association (NeMLA), my colleague Mary Ellen Iatropoulos and I were happy to host Lisa Perdigao on our academic roundtable about the Marvel Cinematic Universe. This year, for NeMLA’s 2017 convention in Baltimore, Lisa is organizing a panel on rivalries, not just within Marvel Comics but as it pertains to its long-lasting competition with fellow comic book publisher DC Comics.
DC and Marvel have collaborated in the past for crossovers and amalgamations of their fictional universes, revealing the parallels between them, such as Batman and Daredevil (or Iron Man), Green Arrow and Hawkeye, Atom and Ant Man, Superman and Captain America (or Thor)–or just so we could see a fistfight between the Justice League and the Avengers, or watch Superman wield Captain America’s shield and Mjolnir.
This competition has moved off of the comic book pages and onto the silver screen. Whereas Marvel has embraced a fun, eclectic blending of various genres in its numerous film adaptations from Disney and other film studios, DC has remained fixed largely at Warner Bros and has persisted with a grim portrayal of superheroes that has appealed to some fans and irritated many others. It’s even inspired popular web parodies. This shift from comics to film production even resulted in a new bicoastal rivalry: DC Comics has moved to Hollywood, while Marvel Comics stays in New York City.
This CFP also has the potential for presentations not necessarily as to the rivalry between DC and Marvel, but a comparison of how the two comic book companies portray rivalries. How does the rivalry between Superman and Batman differ from that between Captain America and Iron Man? How are metahumans portrayed differently from mutants and inhumans? What is it about superhero stories that perpetuate the idea of rivalries rather than collaboration?
And that’s not even touching upon all of the other works that DC and Marvel have created but which are outside of the superhero genre, such as literary adaptations, The Sandman, Preacher, and Lucifer.
Obviously, there are a wealth of topics for consideration to this CFP, and I strongly encourage interested scholars to submit to Lisa’s session, or to forward this CFP to interested colleagues.
The full CFP is below.
Marvel vs. DC: Civil War?
Northeast Modern Language Association
Baltimore, March 23-26, 2017
Chair: Lisa Perdigao (Florida Institute of Technology)
Deadline: September 30, 2016
Submit 300-word abstracts and short bios online at https://www.cfplist.com/nemla/Home/S/16494
Released in spring 2016, Captain America: Civil War and Batman v Superman: Dawn of Justice converge on the narrative of a house divided. Marvel’s and DC’s staging of the wars between their respective superheroes is suggestive of a larger battle between the two franchises that dates back to the comics. These two films represent turning points for the companies, as they threaten to disassemble the Avengers and the Justice League as soon as—and even before—they are created. Adapted from the comics, the films’ narratives highlight central tensions within the individual universes as well as the ongoing rivalry between the two companies.
This panel will explore how the concept of civil war plays out within and between the Marvel Cinematic Universe (MCU) and DC Entertainment films and television series. Papers are sought that examine individual Marvel and DC works (comics, films, and television series), the expansive Marvel and DC universes, and the relationship between the two rival companies. Possible topics include the difficulties of assembling a superteam in the twenty-first century, the race to utilize new mediums in the digital age, and the conflicting ideologies represented by Marvel and DC.